This means soul drumming features more basic patterns with fewer embellishments. Because soul is vocal-focused music, the drums only play a supporting role in this style. Funk drumming (and other styles related to funk) often incorporates linear patterns, ghost notes, hi-hat openings, and syncopated lead hand patterns. Remember, the rhythm section plays a dominant role in this style, so they have the freedom to play more complex parts. In general, funk drumming is much more complex and syncopated in comparison to soul drumming. Soul drumming and funk drumming are quite distinct from one another. Some identifying characteristics of this style include syncopation and extended harmony (commonly used in styles of jazz like bebop). The rhythm section is the driving force of funk music. Funk music emerged from jazz, blues, and soul music during the mid-1960s and became one of the first styles of music to place more emphasis on rhythm than melody and harmony. But during the early 1970s, the popularity of soul music quickly faded as funk music became the more prominent genre. Soul music is much less complex than funk music and was more commercially successful. This style is essentially secularized gospel music featuring “catchy” melodies and call-and-response vocals. Soul music, which only emerged a few years prior to funk music, emphasizes lyrics, vocal melodies, and vocal harmonies. As you’ll learn, soul and funk drumming are quite different from one another, but the ties between these two genres make them soul sisters. Many prominent soul artists of the 1960s and 1970s, like Marvin Gaye and Stevie Wonder, also crossed over and experimented with funk music throughout their careers. Although the styles vary wildly from one another, I cover them together in one chapter here because funk music was first created and popularized by soul musicians-notably James Brown. Both styles were predominantly played by African-American musicians during these years. These two genres of popular music emerged during the late 1950s (soul) and mid-1960s (funk). The drumming styles in this chapter feature shuffle patterns, snare drum grooves, quarter, eighth, and sixteenth note grooves, as well as grooves played with straight and swing feels. If you’ve developed fundamental skills through rock, jazz, blues, and/or country drumming, soul and funk drumming will incorporate and expand on those skills. I personally love it because the drums, along with the electric bass, play one of the most important and dominant roles in the style. Funk drumming, in particular, is a favorite among most drummers. Playing soul and funk on the drums just might be the most fun you’ll ever have-especially because there are so many unique types of grooves used in each specific subgenre of this music. & The M.G.’s all created so much magic it’s no wonder these two genres were so successful and influential. Record labels like Motown Records and Stax Records, artists like Stevie Wonder, James Brown, and Marvin Gaye, and the unforgettable sounds of iconic rhythm sections like the Funk Brothers and Booker T. Soul and funk dominated the music world during the 1960s and 1970s.
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